Dead blonde12/29/2023 ![]() Given the enduring hold of the older stereotypes, it is in many ways not surprising that race trumped violence in our efforts to work through the cultural anxieties raised by “The Hunger Games” film. ![]() Their murders are emphasized far more than the deaths of “some black girl” (that “some” packs a dehumanizing punch) or, for that matter, anyone living below the poverty line without a halo of blonde hair. The deaths of blonde girls and women have a way of monopolizing the media limelight, as the frenzied press coverage of Jon-Benet Ramsey and Natalie Holloway makes all too clear. The fair, high-bred child, with her golden head, her deep eyes, her spiritual, noble brow, and prince-like movements and her black, keen, subtle, cringing, yet acute neighbor.” In this cruel and crude juxtaposition, Stowe was most likely seeking to extend the protective energies generated by beauty to an innocent victim of social injustice, and indeed Topsy, against all odds, survives, and has the chance to be “an angel forever.” “Just as much as if you were white,” Eva reassures her, using a phrase that makes alarm bells go off in our heads. Little Eva also famously appears in a symbolic tableau with the orphaned slave Topsy, a victim of severe child abuse: “There stood the two children, representatives of the two extremes of society. One of her “shining” curls will, “like a living thing,” twine itself around Simon Legree’s finger to forestall one of his many acts of brutality. Her blondeness is linked with beauty and fairness, in all its semantic nuances. Many of those youthful saviors fit the stereotype of the “little blonde innocent girl” pictured in that now-infamous tweet, but none more so than Little Eva, in Harriet Beecher Stowe’s “Uncle Tom’s Cabin.” In a spacious bedroom decorated with white muslin curtains, an alabaster desk, and marble vases, the dying Little Eva, pale and pious, distributes locks of her golden-brown hair along with nuggets of Christian wisdom. “When death strikes down the young,” Charles Dickens wrote in “The Old Curiosity Shop,” “a hundred virtues rise, in shapes of mercy, charity, and love, to walk the world, and bless it.” ![]() Little Eva, Little Nell, the Little Mermaid, and so many other fragile girls never become “big” because they are destined to die for adult salvation. Nineteenth-century writers in particular had outsize imaginations when it came to doomed child saviors and their sacrificial deaths. Monica, alongside with Norma, is one of the two confirmed smokers.Children-blameless, pure, and “trailing clouds of glory”-have been redeeming depraved adults ever since the Christ child was born, in Bethlehem.This ends up with Glen killing Monica accidentally with the chainsaw. Glen starts his chainsaw and wants to kill it but Kenneth decides to try to get rid of it in a bend which causes Glen to lose control over the chainsaw. After they escaped from the skirmish Kenneth noticed that a zombie is hanging on the back of the truck. When the group was forced to leave the Crossroads Shopping Mall through Nicole's risky action she went in a truck with Kenneth, Glen, Terry and Steve. When it comes to difficult decisions Monica acts more in the background and stays in the Crossroads Shopping Mall when some people were saving Nicole. This is shown when she dresses with expensive clothes and has sex with Steve Marcus. Also it is clear that she likes herself a lot and enjoys life. Monica's character isn't explored much but it's implied that she is easily annoyed by some people that act a little bit weird like Nicole did when she played with Chips. Not much is known about her life but when the outbreak started she teamed up with a few people and looked for shelter. Caucasian-American Monica is sliced to death with a chainsaw by Glen Monica is a main character and a survivor of the outbreak of the 2004's remake Dawn of the Dead.
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